Send me something to make me ponder.

John is a phenomenal artist with World Fantasy, Chesley and IHG Awards under his belt, as well as a Hugo nomination. But don’t take my word for it - take a look here and prepare to be impressed.

The highly-acclaimed SF and fantasy imprint will publish the first of my epic Elizabethan fantasy sequence, The Swords of Albion, in Fall 2009, with books two and three in subsequent years.

Pyr has also acquired the rights to my British Fantasy Award-nominated Age of Misrule sequence. The three books – World’s End, Darkest Hour and Always Forever – will be published in Spring/Summer 2009.

Here’s the rest of the press release:

Chadbourn says: “I’m very excited to be working with Pyr on the launch of The Swords of Albion and the US debut of Age of Misrule. Pyr has a dynamic, cool and smart approach to the genre, which, of course, is an excellent fit for my writing!”

Pyr Editorial Director Lou Anders says: “Mark is a brilliant writer - who not only has a tremendous imagination but manages to marry his vision to a very readable, accessible and fast-paced style. It’s amazing to me it’s taken this long to get him to America, but between these six books and the epic fantasy trilogy that Solaris recently acquired, that egregious oversight is about to be resoundingly corrected.”

The Swords of Albion, which will be published in the UK and Commonwealth by Transworld, follows Elizabethan England’s greatest spy, Will Swyfte – adventurer, swordsman, rake, swashbuckler, wit and scholar.

Lou says of The Swords of Albion: “I first encountered Elizabethan Superspy Will Swyfte in the short story “Who Slays the Gyant, Wounds the Beast,” originally published in The Solaris Book of New Fantasy (and subsequently selected for Hartwell and Cramer’s Year’s Best Fantasy), and fell in love at first read. I was weaned on Ian Fleming and Fritz Leiber, and this wonderfully fun character seemed to marry both these loves into one. I wrote Mark to ask if there were any more planned outings for Swyfte, and was thrilled to hear back within minutes that a proposal for a trilogy was going out the very next day. Naturally, I couldn’t wait for the next day. Now, I can’t wait for him to finish writing the first novel. And the second. And the third…”

The Age of Misrule deals with the return of the Celtic gods to modern day Britain and is steeped in the mysticism and mythology of the Isles with an edgy modern take – from Fabulous Beasts firebombing the rush hour-packed motorway outside London to the ancient secrets of Avebury stone circle.

Lou says of The Age of Misrule: “Every once in a while you read a work that treats its subject so well you realize it’s the last and final word on the topic. Like the way a certain Boy Wizard pretty much owns the school for magic space, and the idea of all of reality being a virtual illusion ends (for the foreseeable future) with the film The Matrix. That’s the sense I got reading the books of the Age of Misrule. Mark’s rigorously-researched exploration of Britain’s sacred sites reads with such authenticity that I can’t imagine there being any other explanation. That it underpins a fantastic adventure story chocked full of great characters - a sort of modern day Lord of the Rings transposed onto contemporary Britain - makes for a simply irresistible combination. I can’t wait to spring it on unsuspecting Americans - they have no idea what’s in store for them!”

With the Solaris book, and another unannounced tome, I’ve got six books out in the US next year, which, I think, justifies a trip…

It’s an epic story filled with intrigue, mystery, adventure and romance, set against the rich backdrop of the Elizabethan era. I hope it’ll appeal to readers of both fantasy and historical fiction. I’m very excited to be working with Transworld for the first time on the launch of this new series.

You want to know what it’s about? Here’s the pitch:

‘Spies are men of doubtful credit, who make a show of one thing and speak another.’ ~ Mary, Queen of Scots

A devilish plot to assassinate the Queen, a Cold War enemy hell-bent on destroying the nation, incredible gadgets, a race against time around the world to stop the ultimate doomsday device…and Elizabethan England’s greatest spy!

Meet Will Swyfte – adventurer, swordsman, rake, swashbuckler, wit, scholar and the greatest of Walsingham’s new band of spies. His exploits against the forces of Philip of Spain have made him a national hero, lauded from Carlisle to Kent. Yet his associates can barely disguise their incredulity – what is the point of a spy whose face and name is known across Europe?

But Swyfte’s public image is a carefully-crafted façade to give the people of England something to believe in, and to allow them to sleep peacefully at night. It deflects attention from his real work – and the true reason why Walsingham’s spy network was established.

A Cold War seethes, and England remains under a state of threat. The forces of Faerie have been preying on humanity for millennia. Responsible for our myths and legends, of gods and fairies, dragons, griffins, devils, imps and every other supernatural menace that has haunted our dreams, this power in the darkness has seen humans as playthings to be tormented, hunted or eradicated.

But now England is fighting back!

Magical defences have been put in place by the Queen’s sorcerer Dr John Dee, who is also a senior member of Walsingham’s secret service and provides many of the bizarre gadgets utilised by the spies. Finally there is a balance of power. But the Cold War is threatening to turn hot at any moment…

Will now plays a constant game of deceit and death, holding back the Enemy’s repeated incursions, dealing in a shadowy world of plots and counter-plots, deceptions, secrets, murder, where no one… and no thing…is quite what it seems.

The entire world is the battleground – from Russia, across Europe, to the Caribbean and the New World. And while great events play out in the public eye, the true struggle takes place behind the scenes: the Spanish Armada, the Throckmorton Plot, the colonisation of the Americas, the Court intrigues, the battles in Ireland and against Spain, the death of Marlowe, the plagues, the art, the music, the piracy, the great discoveries…all are simply window-dressing as the great sweep of recorded history is peeled back to show the truth behind.

I’ve spent the last ten years telling essentially one story over a trilogy of trilogies, dense, complex, with a massive cast of characters, numerous mythologies, and two thousand years of human history - but one story. And now I’m just about at the end of it. When I first mooted this tale back in the golden, boomtime days of the nineties, my editor frankly thought it was too big a project to pull off - and I did nurture a few self-doubts myself. It’s been exhausting, infuriating, stimulating, and hugely fulfilling. But that’s still a long time to be exploring one small part of the jungle.

More next week.

This site will continue with its usual eclectic approach to my writing and interests in the fields of science, mysticism, mythology, publishing in general, and other weird stuff. I thought it best not to infect this site with my occasional spittle-firing rants.

Actually, I didn’t get very far on the book front - I’m still wading through House of Leaves by Mark Z Danielewski. ‘Wading’ is perhaps the wrong term - I do love the book - but it is hard-going. It’s a very modern, scary, supernatural story, but written without a hint of familiar genre-isms, and designed to put the reader through as many torments as the characters. In the tale, a tattoo artist inherits the notes of an aged academic investigating a seemingly-famous Amityville-style house with an otherworldly labyrinth - except no one beyond the academic appears to know about it. In that description, you can already see the layered density of the story. Yet the design of the book has been created to mimic the house’s labyrinth, with footnotes sending you back and forth, appendices, upside down and mirror text, hidden codes and more. You wonder if the footnotes are even slightly relevant until you get to, say, number 313 and find buried away a one-line revelation that explains a character’s entire psychology. A great book, particularly for navel-gazers and self-styled intellectuals, but it does take time following that cord through the twists and turns.

Some comics caught my eye over the last few days. House of Mystery, the new release from DC’s Vertigo imprint, written by Matt Sturges and Bill Willingham with art by Luca Rossi, was very enjoyable. I was a fan of this title back in the seventies, when it was a straightforward horror (or ‘mystery’) anthology, with art by such greats as Neal Adams, Berni Wrightson, Alex Toth and Sergio Aragones. In Alan Moore’s Swamp Thing and Neil Gaiman’s The Sandman, the house and its caretaker Cain was established as a residence that existed in dreams. In this incarnation, the house has been stolen and re-sited ’somewhere else’. A group of strange characters are forced to live there telling stories to pay for their board while they attempt to find a way back to the real world. The first issue sets up lots of mysteries, so it comes across a bit like Lost, only creepier.

I also started a collection of the first five issues of The Exterminators, another Vertigo title (now cancelled) about a group of bug and vermin exterminators operating in the more sordid parts of Los Angeles. At first it appears a great slice of life story with strong characterisation, until a hint of fantasy arises like the first sign of one of the infestations - the bugs are becoming stronger? Smarter? Looks like there’s a war brewing. Great writing by Simon Oliver and suitably grimy art by Tony Moore, who made a name for himself on Image’s The Walking Dead. Highly recommended, as those critics like to say.

I also read the first issue of DC’s summer blockbuster Final Crisis by Grant Morrison and J G Jones. It’s early days yet, and there’s a lot of clear set-up for story to come, but again very enjoyable. Grant can do no wrong in my eyes, from Zenith for 2000AD to Doom Patrol, Animal Man and The Invisibles, which is why I name-checked his excellent Seven Soldiers series in The Burning Man.

On the movie front, my tastes have always been eclectic, but I can’t imagine many people reading this enjoying the early 1940s films of British comedians Arthur Askey and George Formby. Kept me happy, though. I also finally got round to seeing SF greats This Island Earth and Invaders From Mars. Ones for fans only, I think, though there’s a pleasantly creepy aspect to the latter.

It’s called Farewell to the 21st Century Girl and is about a love affair, Chaos Theory, what lies behind reality and the strange patterns of life - all themes people will be familiar with from my novels. Other contributors include Ramsey Campbell, Peter Crowther, Mark Morris, Sarah Pinborough and many other Brit genre writers. Editors are Christopher Golden, Tim Lebbon and James A. Moore, with an afterword by Kim Newman.

If you’re travelling any distance it’s worth calling ahead to ensure the shop puts a copy aside for you.

Frankly, I’ll watch Ian McKellen in anything, but this adds real weight to the planned duology.

Plans for a doomsday ark on the moon.

Not saying it isn’t a good idea, but I’m still waiting for ray guns and Lensmen.

Michael is a film-maker of some experience, and his partner in this project, Rupert Soskin, has been an expedition leader to various sites around the world, including a trip to the Colombian jungles to visit the Kogi Indians.

The original plan was to turn this into a TV series, but when that didn’t happen Michael and Rupert decided they were so in love with the project they wanted to produce it themselves. Filming began in November 2006 for four months, and the edit was completed in November.

Michael says, “In brief: we both have a love for standing stones and all things megalithic. This was a journey of a lifetime and we had the best time ever!”

I haven’t seen the dvd so I can’t recommend it, but you can check it out and order it at www.standingwithstones.com.

The film will get its premiere at Chipping Norton Theatre, Oxfordshire, on April 15th in aid of the Rollrights Trust. Rupert and Michael will be attending. Tickets are £10.00 from the theatre box office Tel: 01608 642350.

This probably looked very good on paper.

I have a sneaking suspicion there will probably be only a couple of minutes of useable footage, in-between Robert Rankin’s lurid and libellous accounts of XXXX doing XXXXX to XXXX with a XXXX, and several other off-colour stories from fellow diners Rob Grant, Adam Roberts, Joe Abercrombie and Tom Lloyd which would probably result in a multi-million pound pay-out if they ever saw the light of day.

But we had a great deal of fun, and the food at Covent Garden’s Raj restaurant was excellent. When the final “promotional” film is made available - the first one ever to result in a drop in sales - I will, of course, post it here. You have been warned.

I’ve been invited to contribute to a collection of short stories to coincide with the release of the movie sequel this summer. Hellboy: Oddest Jobs will be published on July 25 by Dark Horse and will also feature contributions from Garth Nix, China Mieville, Joe R Lansdale and others.

My story, Straight No Chaser, involves Hellboy on a quest through the zombie jazz, soul and blues clubs of London. Even the dead deserve a nightlife, right?

Personally, I found writing the story a blast. Hellboy is a great character and a testament to Mike Mignola’s unique imagination. You can pre-order the book here.

What I’ve been working on for the last few years is an epic story covering more than two thousand years of human history, numerous mythologies, a huge cast of characters with complex motives and inter-relations, an enormous range of antagonists, monsters, creatures and Fabulous Beasts, each with their own history, and a fair smattering of mysticism, psychology and philosophy thrown into the mix.

Unlike, say, The Wheel of Time, where the books are successively numbered so you know exactly which one to read next, I’ve told this fantasy tale over a trilogy of trilogies - the Age of Misrule, Dark Age and Kingdom of the Serpent sequences.

I’ve attempted to provide background information so new readers can drop into the story pretty much anywhere, but I think I’ve got to face up to the fact that they can’t. If you’re a new reader to Jack of Ravens, you’re just not going to get the depth, subtelty and interplay unless you’ve read Age of Misrule. You’ll certainly get a rattling good yarn, but it will lack what I intended as the author.

The problem is, the trilogies have each been packaged in such a radically different way that the casual reader would find it hard to tell that they’re all part of this massive canvas - although the excellent design for the Age of Misrule Omnibus has brought it in line with Jack of Ravens.

What I think I need to do now is get the word out more that this is one big, sprawling story. I’d hate for a reader to come to the books under the false pretences of thinking they’re starting a standalone trilogy (and only in fantasy can you use those words…) and be disappointed.

Here’s Keith Brooke.

Keith has just signed a deal with Solaris for his new science fiction novel, The Accord - full details here.

Oh, and nice rack, Keith…

As an environmentalist and someone who’s been regularly involved in political activism, one of the big gripes for me is when right wing, evangelical Christians use their religious perspective to justify doing nothing about saving the world…and in some cases to stand back in the hope of armageddon in other countries.

The Bishop of Durham not only says they’re wrong, but if they want to be true to their religion they need to be doing the opposite - protecting the globe and not bringing devastation to Middle Eastern countries being somewhere near the top of the list, as Heaven is not going to be up there - it’s down here.

(Thanks to Lizzy Hill for flagging this one up).

Edited by David G Hartwell and Kathryn Cramer, the annual book - this one is number eight - also features work by Neil Gaiman, Michael Moorcock, Tad Williams, Elizabeth Hand, Jeffrey Ford and more. Full list on the link above.

The story, originally published in the Solaris Book of New Fantasy has received a fair amount of pleasing praise from various corners, including media commentator and editor Lou Anders among others.

All of this bodes very well for more tales of Will Swyfte and his secret war with faerie.

Solaris is proud to announce a new acquisition from popular British fantasy novelist Mark Chadbourn.

The Lord of Silence is a thrilling new epic fantasy. When the great hero of the city of Idriss is murdered, Vidar, the Lord of Silence, must take his place as chief defender against the mysterious terrors lurking in the dense forest beyond the city’s walls. But Vidar is a man tormented—by a lost memory and a vampiric jewel that demands the life energy of others. Now, with a killer loose within Idriss, and the threat from without mounting, Vidar must solve a three thousand year old religious mystery to unlock the terrifying secrets of his own past.

A two-time winner of the British Fantasy Award, Mark Chadbourn is the author of eleven novels and one non-fiction book. A former journalist, he is now a screenwriter for BBC television drama. His other jobs have included running an independent record company, managing rock bands, working on a production line, and as an engineer’s “mate”. He lives in a forest in the English Midlands.

Mark Chadbourn said, “After several years writing my own particular and peculiar brand of urban fantasy, I wanted to try something completely different. The Lord of Silence is me cutting loose and experimenting way out of my comfort zone—a completely new world, new characters, a twisted take on magic, and a mystery that spans several thousand years. It’s a sword and sorcery, noir, puzzle-cracking, romance, serial killer, adventure-mystery. With mad, dancing magicians.”

Publisher Marc Gascoigne added: “It’s always been puzzling to me why a writer of Mark’s immense talent, and with such a huge British fanbase, has rarely been offered the opportunity to release his books in the US. It’s time to remedy that, with the best book of his career so far.”

The Lord of Silence will be released in 2009 in the US and UK.

Please note – this book will be in addition to my regularly scheduled novels published by Victor Gollancz.